War and Prey
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Lucas Davenport has left the BCA. He has no badge, and no
authority, but he still carries a gun. He knows that whatever comes next, he'll
need it.
Finnegan falls off a ladder and dies, and his wife holds a most unusual
wake. But, Lucas wonders, did Finnegan fall, or was he pushed? What happened to
his body? And is it possible to reconcile a traditional detective novel with
nonlinear storytelling devices and a disintegrated narrative structure?
Before it's all over, Lucas will be questioning not only the rightness of
what he's doing, but whether there is any deeper meaning in the world. And it
all comes back to Finnegan, his most unfortunate fall, and his most improbable
rise.
With the kind of writing that makes people doubt their own reality, it's no
wonder The Dublin Times says, "I couldn't understand the vast majority
of what was going on, and what little I could comprehend was insulting. It must
be art."