Bloody Genius · Preview Chapters
Chapter One
Barthelemy Quill led his companion though the murk and up the
library stairs toward his personal study carrel. Though Quill was normally
restrained to the point of rigor mortis, she could hear him breathing, quick
breaths, excited now. They'd been there before and the woman found the
experience both weird and interesting. She was a step behind him, and lower, and
she reached out and stroked his thigh.
But at the top of the stairs, Quill put out a hand, pressing it back
against her chest, and whispered, "Shh. There's a light."
The library was never entirely dark, not even in the middle of the night,
but there'd never before been a moving light. She could see one now, no brighter
than an iPhone, dancing like a ghost through the book shelves.
Not a security guard. It was an iPhone, she thought. Not the
flashlight, but the much weaker screen light.
Quill moved away from her and closer to the light he was wearing
gray dress slacks, a gray knit dress shirt and black sport coat, so he was
basically invisible in the dark. The woman felt a chill crawl up her arms and
she stepped sideways into the book stacks. She'd well-learned the lesson of
trusting her instincts about trouble. She turned a corner on one of the stacks,
and crouched, listening into the silence.
Then Quill's voice: "Hey! Hey! Where'd you get... I'm calling the police!
You stay right where you're at."
Then a wet Whack! And another, after a second: Whack! The
sounds were violent and heavy, as if done with a crowbar. The whacks were
followed by a couple of bumps. Not another word from Quill.
The woman crunched herself up, made herself smaller, opened her mouth wide,
to silence her breathing, a trick she'd learned in another life, while taking
singing lessons. Like Quill, she'd dressed in dark clothing, as their entry into
the library was unauthorized and possibly illegal. Before this moment, that had
added another thrill to their clandestine meetings.
Now...
Something terrible had happened, she thought. After the two sounds of
impact and the subsequent bumps, there was a deep silence, as though the iPhone
user were listening.
That was followed by shuffling noises, more bumps, a door closed and a
locked turned, and the weak iPhone light reappeared. She never saw the person
with the phone, but kept her arms over her face and her head down: faces shine
in the dark and eyes are attracted to eyes. She heard light footsteps fading
away, risked a look up and saw the iPhone light disappearing around the corner
toward the stairs.
The killer was as stunned as Quill's companion. Quill had come
out of nowhere, as the killer stood by the open carrel door, laptop in hand.
Quill's face was twisted with anger. He shouted, "Hey! Hey!" and something else,
then, "I'm calling the police!"
He turned away, and without thinking, panicked, the killer lifted the
laptop computer and brought the edge of it down on Quill's head.
After the first blow, Quill said, "Ah," and went down, and his forehead hit
the edge of the carrel desk and rebounded. His gray eyes jerked to the
assailant, but had already begun to dim. The killer swung the notebook again and
this time, Quill went flat on the floor.
The Dreambook made an excellent weapon, not because of its Intel Xeon i7
processor, or its 64 gigs of RAM, or its high-definition display, but because it
weighed more than twelve pounds and had sharp corners.
By comparison, an Irwin Tools fiberglass-handled general purpose claw
hammer, an otherwise excellent weapon, weighs only sixteen ounces, or one
pound.
When the killer sank the computer into the back of his head,
the professor smacked the desk with his forehead, his head turned and his eyes
twisted toward his assailant, and he dropped to his hands and knees like a
poleaxed ox, if oxen have hands and knees.
A second blow followed, a downward chop like the fall of guillotine blade.
The later autopsy suggested that the first blow was sufficient to kill, if the
assailant had been willing to wait for a minute. He wasn't.
The second impact certainly finished the job and Quill sprawled across the
floor and partially under the carrel desk, leaking both blood and cerebrospinal
fluid. Quill never felt much pain, only an awareness of the blows and himself
beginning to fall. The lights went out and he dropped into a darkness deeper
than any sleep.
The carrel had been his own personal library cubbyhole, renewed semester by
semester over the years. Strictly speaking that shouldn't have been done, but
Quill was rich and handsome and famous for his research into innovative
therapies for spinal nerve injuries. So he got by with it: and lately, it had
become a go-to place for his late night sexual assignations, away from all
eyes.
The killer had a thousand thoughts raging through his head.
Near the top, however, was Get out! And DNA! And
Fingerprints!
The library was nearly silent, the silence broken by the vague clicks and
hums of any nighttime building with heaters and fans. The killer stood
listening, then looked down at the body, licked his lip once, thinking. The
laptop came with a soft plastic cover. He used it to wrap a hand and then
dragged Quill's leg, which had fallen through the doorway, into the carrel,
where, with the door closed, the body couldn't be easily seen through the narrow
translucent window.
His heart was pumping hard, he was breathing like a steam engine. He tried
to calm himself, took a moment, stepped on something. The key fob to Quill's BMW
lay on the floor where he'd dropped it, with his cell phone. The killer took the
cellphone, the keys and the murder weapon, took another moment to listen to the
library. As expected, it was empty and dead silent: the library closed at six
o'clock and he'd murdered Quill at the stroke of midnight.
The killer left the carrel at three minutes after midnight, pulled his
black ballcap further down over his eyes and tilted his head down, to defeat any
cameras. He locked the carrel door and started toward the stairs: the hair on
the back of his neck rose, like a chill you'd get walking past a cemetery. He
stopped: was he alone? He listened, heard nothing. He walked slowly and quietly
down the stairs to first floor, creeping through on soft-soled running shoes,
and out.
The river was right there. He went out on the walkway, stopped under a
light to separate the professor's keys from his key fob, and threw the key fob
into the river. The keys went in his pocket; he might find a use for them.
He continued across the bridge to the other side, seeing no one. On the far
side, he stopped to put the computer and the soft cover into his backpack. The
cell phone went into a 'Mission Darkness' faraday bag with a see-through window,
along with his own. Quill had been making a call when he was killed, so the
killer had access to the phone's operation and could keep it working with the
occasional poke.
Back inside the library, Quill's companion waited, frozen in
place, for what seemed for hours maybe ten minutes. After the iPhone
light disappeared, she had not heard another thing.
Taking a chance, she dug silently in her purse and found the switchblade
she'd purchased in Iowa, where they were legal, as personal protection. She
wrapped the knife in the tail of her jacket and pushed the button that popped
open the razor-sharp four and seven-eights-inch serrated blade, the mechanical
unlatching muffled by the jacket.
She listened for another moment, then crawled down the aisle between the
book stacks, got to her knees, then to her feet, and slipped over to the carrel.
The door had a small vertical-slit window, but with translucent the glass.
She muttered, "Shit," and waited, and waited, listening, tried the door,
but it was locked. She turned on her iPhone's flashlight and directed it down
through the window, but couldn't see anything at all through the cloudy glass.
Nothing was moving inside.
Quill, she thought, might be dead. He was probably badly hurt, at the
least. She should call the police; but she wasn't the type.
The thought held her for a moment. She didn't owe Quill. He'd brought her
into this. If he was still alive, and survived, she could tell him that she ran
away and never knew that he'd been hurt.
The decision made, she turned off the light and slipped through the
library, her lips moving in a prayer that wasn't a prayer, because she didn't
know any, but simply a please please please please addressed to any God
who might be tuned in. She made it down the stairs and out in the river air, the
Mississippi curling away beneath the bridge in nothing like innocence: the river
had seen more murder than any single man or woman ever would.
A half-block from the library, the woman folded the knife but kept it in
her hand, her thumb on the spring release. On the far side of the bridge, she
was swallowed up by the night.
Because he was murdered on a Friday night and had no firm
appointments over the weekend, and missed only one day at the lab, Quill's body
wasn't found until Tuesday, when an untoward odor began leaking under the
carrel's locked door.
Definitely not coffee.
Inquiries were made, a second key was found, the door was opened, the cops
were called.
Quill lived alone since his third wife moved out. Neither of
his first two wives, or his estranged third wife, made any secret of the fact
that they thoroughly disliked him.
A two-week investigation produced baffled cops. The cops didn't think they
were baffled not yet, anyway but the StarTribune and local
television stations agreed that they were, and who do you believe, the cops or
the mainstream media?
When no suspect had been produced after two weeks, Quill's well-connected
sister, co-heir to their father's wildly successful company, Quill
Micro-Sprockets, called her old friend and a major political donee, the governor
of Minnesota.
The governor called the Commissioner of the Department of Public Safety;
the Commissioner called the Director of the Bureau Criminal Apprehension; the
BCA chief called one of his supervisory agents; the supervisory agent, after a
comprehensive course of vulgarity, obscenity and profanity, made a call of his
own.
At the end of the daisy chain was a Flowers.
Chapter Two
Virgil Flowers walked out of a café in Blue Earth, Minnesota,
slightly bilious after a dinner of brown slices of beef and brown gravy over
brown potatoes and dead green beans, coconut cream pie on the side, with a
pointless Diet Coke. He had to quit all that; he knew it, but hadn't yet done
it. He burped and the burp tasted... brown.
He'd taken three steps out the door before he noticed a motley group of
twenty people standing in the parking lot, staring up at the sky to the south.
When he turned to look, he saw the UFO.
There was no question about it, really.
The alien craft was obviously far away, but still appeared to be more than
half the size of a full moon. It was motionless, hovering over the countryside
like a polished dime, brilliantly lit, alternating gold and white light, almost
as bright as the setting sun, and hard to look at without squinting.
A man dressed like a farmer, in mud-spattered jeans and muddier gum boots,
said wisely, "It only appears to be motionless. It's probably a jumbo
jet headed into the Twin Cities, flying low and right toward us. The sun's
hitting it at just the right angle and we're getting a reflection."
A pale woman with orange-blond dreadlocks, and the voice of a high school
teacher, said, "No, it's not a jet. It's not moving. Line it up with that phone
pole and you see it's not moving."
Virgil and the farmer edged sideways to line the UFO up with a phone pole
and the woman was right; the UFO wasn't moving. The farmer exhaled heavily and
said, "Okay. I got nothin'."
More people were coming out of the café, attracted by the crowd in the
parking lot.
A man in a plaid sports jacket said, "This could be the start of something
big."
"Like an invasion," the dreadlocks lady said. She mimed a shudder. "Like in
Cloverfield. You don't know exactly what it is, but it's coming, and
it's bad."
"Wouldn't they invade Washington or some place like that?" a thin man
asked. "Why would they invade Iowa?"
A jocko-looking guy said, "Not because they're recruiting a pro football
team," and he and a jocko friend, who was wearing a red University of Minnesota
jacket, exchanged high fives.
Somebody said, "I left my camera at home. Wouldn't you know it? Probably
see Bigfoot on the way back."
A short fat mail carrier: "I saw a show where the aliens completely
wasted LA, but it turned out everything was controlled from one central
bunker and when the Army hit that, all the alien tanks and shit quit
working."
"Independence Day," somebody said. "Where they nuked the mother
ship and then the fighters could get through the force fields?"
"No, I saw that one, too, but this was a different movie," the letter
carrier said. "Ground troops in LA. Got the aliens with a bazooka or
something."
A young man with black-rimmed glasses and slicked-back dark hair said with
the voice of authority: "Battle: Los Angeles. Thirty-five percent on
the Tomatometer. The ground squad lit them up with a laser indicator so American
fighters could target the alien HQ. Or maybe they called in the artillery, I
don't precisely recall."
A young woman in a jewel-blue nylon letter jacket that matched her eyes
said, "I hope they don't get us pregnant with those monster things like in
Aliens. You know, that ate their way out of your womb when they
hatched."
"I don't think that was Aliens," the authoritative young man said.
"But just in case, maybe you oughta get a lotta good lovin' before they get
here."
Jewel-blue, the voice of scorn: "Dream on, Poindexter."
Virgil scratched his chin, momentarily at a loss. He was a tall
thin blue-eyed man, with blond hair curling well down over his ears. He was
wearing a canvas sport coat over a 'Moon Taxi' tee-shirt and jeans, with cowboy
boots and a blue ball cap. As an official law enforcement officer of the State
of Minnesota L' Étoil de Nord he thought he should do something
about an alien invasion, but didn't know exactly what. Call it in, maybe?
He watched the thing for another moment, the flickering light, then walked
over to his truck, and dug out a pair of Canon ten-power image-stabilized
binoculars for a closer look. He saw a tear-drop shaped research balloon,
several stories high, probably made from translucent polyethylene film. The low
angle sunlight was refracting through it. Most likely flown out of Iowa State
University in Ames, Iowa, he thought, which was more or less directly
south.
"What do you see?" asked the woman with the dreadlocks.
"Weather balloon," Virgil said.
"That's what they always call it. A weather balloon. Next thing you know,
you got an alien probe stuck up your ass," somebody said.
Virgil passed the binoculars around and they all looked and then they all
went home, disappointed. A UFO invasion would have been a hell of a lot more
interesting than Spam 'n eggs for dinner. He took the binoculars back to his
truck, noticed that he hadn't pulled the plug out of the boat, pulled it, and
water started running down into the parking lot.
On his way out of Blue Earth, Virgil saw more groups of people standing in
parking lots, watching the UFO. If he wasn't careful, he could wind up
investigating a balloon.
Jon Duncan, a supervising agent at the Minnesota Bureau of
Criminal Apprehension, called as he crossed I-90, heading north on Highway 169.
"We need you to investigate a murder."
"Where at?"
"University of Minnesota," Duncan said.
"What happened?" Virgil asked. "Why me?"
"A professor got murdered. Head bashed in," Duncan said.
"Again?"
"What?"
"A professor got murdered there two weeks ago," Virgil said. "Is this
another one?"
"No, no. Same one," Duncan said. "Minneapolis homicide is working it, but
they got nothing. Turns out the professor was the brother of this rich woman,
Boopsie or Bunny or Biffy, something like that, last name Quill, who gave a lot
of money to the governor's campaign. You know what the governor thinks of
you..."
"Ah, Jesus, I hate that guy," Virgil said. "Why doesn't he leave me
alone?"
"Because you're good at doing favors for people like him, and he's good at
doing favors for rich people," Duncan said. "You brought it on yourself, with
that school board thing."
With Virgil investigating, the state attorney general (at the time) had
managed to send most of a school board to prison for murder; the attorney
general, who'd actually done nothing but look good on TV, had taken full credit
for the investigation and subsequent prosecution, and was now the governor. He
did have nice shoulders, a baritone voice and extra-white teeth.
"You know it'll piss off the Minneapolis cops," Virgil said.
"Does that bother you?"
Virgil said, "Well, yeah, it does, as a matter of fact."
"Huh. Too bad. Doesn't bother me at all, since I won't be there," Duncan
said. "Anyway, I have a name for you: Margaret Trane. A sergeant with
Minneapolis homicide. Known as 'Maggie.' She's leading the investigation,
coordinating with the campus cops."
"Don't know her," Virgil said. "She any good?"
"Can't say," Duncan said. "I judge women by their looks and the size of
their breasts, not whether they're competent detectives." After a moment of
empty air, Duncan blurted, "For Christ's sakes, don't tell anybody I said that.
I mean, I was joking. Okay? Big joke, maybe a little insensitive..."
"I'm not recording you," Virgil said.
"Yeah, but somebody might be, you never know," Duncan said. Virgil could
imagine him looking over his shoulder. "We have the most amazing surveillance
stuff now, right here at BCA. I've been messing with it all week. Anyway, get
your ass up here tomorrow. The governor would like to see this solved by the end
of the week."
"It's already Thursday," Virgil said.
"Better get moving, then," Duncan said.
Virgil didn't want to go to the Twin Cities to mess around in a Minneapolis
murder investigation. The cops there handled more murders in a year than did the
BCA, and were good at it.
Virgil tried to tap-dance. "You know I'm supposed to be working that thing
in Fulda... there are some pretty influential religious groups..."
Duncan interrupted: "Are you towing a boat?"
"A boat?" Virgil could see the Ranger Angler riding high and still damp in
the rearview mirror.
"Don't bullshit me, Virgie. That thing in Fulda is weird, but it's
basically chasing chickens and you're towing your boat, which means you don't
care about Fulda any more than I do. Get your ass to Minneapolis. I got you a
room at The Graduate, by the U. It's your dream hotel it's got a beer
joint, a Starbucks and the piece de resistance, an Applebee's. Mmm-mm."
"Does sound good," Virgil admitted.
"The kind of place I'd stay. Any questions?"
"All kinds of them, but you won't have the answers," Virgil said. "Talk to
Trane before I get up there, so she'll know I'm coming and it's not my
fault."
"I can do that," Duncan said. "I'll blame it on the governor. Anything else
I should know?"
"There's a UFO hovering over Iowa, due south of Blue Earth," Virgil
said.
"I wouldn't be surprised," Duncan said. "So: I'll email the media coverage
on this killing. You'll have it before you get home."
"I'll be home in about five minutes."
"No, you won't you just crossed I-90 heading north. We got a new toy
and I'm tracking your cell phone. Have been ever since you pulled your goddamn
boat off the goddamned Mississippi."
The Fulda incident.
A minister with the Universal Life Church "Get Ordained Today!"
had married six people, three men and three women, to each other as a
group, and they'd sent a group nude photo off to the New York Times, which (of
course) had published it on their "Vows" page, with the appropriate black
rectangles covering the naughty bits, along with a narrative of the
ceremony.
"We believe there should be no barrier whatsoever to personal sexual
expression, in whatever combination the voluntary participants feel to be
genuinely authentic," blah blah blah.
If the group wedding had actually taken place, it violated Minnesota law.
Various conservative ministerial associations had demanded action. Action
required investigation to make sure that nobody in officialdom was getting his
or her weenie pulled.
Virgil was the designated hitter, but when he got the assignment, his eyes
had rolled so far up into his head that he could see his scalp. He had not yet
begun to investigate despite increasing pressure. When asked why, by an
attractive if somewhat hefty Rochester television reporter, with whom he was
sharing a bag of doughnuts in the Mankato Dunkin' Donuts, he'd unwisely replied,
"I had to wash my hair."
He took the opportunity to negotiate with Duncan: "If I
investigate up in Minneapolis, I won't have time for Fulda."
"I understand that. If you're out of pocket, I'll pass the word to our new
attorney general and get him to send one of his own dimwitted investigators out
there."
"Man, you're developing the righteous bureaucratic chops," Virgil said,
impressed.
"I am, it's true," Duncan said. He'd once been a competent investigator.
"I'll call Trane and tell her you'll be there by noon tomorrow."
Virgil pulled into the farm an hour later, backed the boat into
the barn next to the new used compact John Deere tractor they'd bought the
previous autumn. They'd rigged it for snow plowing, as well as general farm
utility use, and a good thing: the past winter started off easy, but turned ugly
in late January and stayed that way. By early March, they'd had a snowdrift in
the side yard that reached up to the lowest wire on the clothesline. Then came
April and thundersnow. Now, in early September, the snow was gone, barely, and
the tractor was hooked up to an aging hay baler.
The farm belonged to Virgil's pregnant girlfriend, Frankie, who was
expecting twins sometime in the next couple of months. An ultrasound said they
were getting one of each. Frankie, her blond hair done in a pigtail, waddled
across the barnyard to meet him.
"Catch anything good?"
"Walleyes. Johnson Johnson's going to clean and freeze them, we'll have a
fish fry the next time we go over."
"Good. Listen, Rolf is baling tomorrow it looks like it could rain
Monday, so we got to get it in," she said, squinting up into the UFO-free
sky.
She was talking about hay, which was already cut and laying in windrows in
the alfalfa field. Rolf was the oldest of her five sons.
"Aw, jeez, honey, Jon Duncan called..."
Fists on her hips: "You're trying to slide out of it again?"
"Hey, c'mon, it's work. That professor who got killed up in Minneapolis.
Jon wants me up there by noon tomorrow..." He was tap-dancing like crazy.
"If you leave here at ten o'clock, you'll get there in plenty of time, and
if you get up at five, you could throw for four hours before you have to clean
up."
"Five o'clock? Mother of God, Frankie..."
"Well, I can't do it. Goodyear called and offered me a hundred dollars to
paint their logo on my stomach." She was blimp-like. She'd started out
short, slender and busty, and now, sometimes, seemed to Virgil to be wider than
she was tall.
"Ah, well. Another couple of months, babe..."
She rubbed her stomach: "I don't know. I've been through this a few times,
and I think it could be sooner. Hope so. This is getting to be a
load."
Virgil rolled out the driveway the next morning at 10:15,
having kissed both Frankie and his yellow dog, Honus, good-bye. He took two days
of clothes, figuring he wouldn't be working on Sunday and would be back home. On
the way out the door, Frankie called, "You wanna know what was the last thing
Honus licked, before he kissed you good-bye?"
Well, no, he didn't, but he wiped his mouth on the back of his hand,
thinking, Probably his balls. I hope his balls.
Though the morning had been cool, Virgil's aching arms and neck were
covered with thin red scratches from the bales of dried alfalfa he'd been
throwing; it would have been much worse if it'd been hot and he'd had to work in
a tee-shirt. They still hadn't gotten in more than half the field, but Frankie's
second and third oldest boys, Tall Bear and Moses, would be throwing that
afternoon.
Virgil liked all the aspects of living on a farm, except for
the farm work. His parents always had a garden and the teen-aged Virgil was
expected to put in time picking and pulling and shucking, not because they
needed the food, but because it was good for him. Later, as a
teen-ager, he'd detassled corn to make summer money.
He hated it all. He was a rocker, not a horticulturalist.
Frankie kept an oversized vegetable garden potatoes, tomatoes, sweet
corn, squash, cucumbers, radishes, carrots, green beans, like what out
behind the barn in what had been, decades earlier, a pig sty. A variety of
annual flower and herb beds sprawled along the driveway and the front of the
house, and all had to be prepped, planted and harvested.
A month earlier, Virgil had yanked a stunted orange dirt-smelling carrot
out of the ground, had flicked an earthworm away, and had said, "All of that
fuckin' work, for this? Are you kiddin' me?"
Frankie'd laughed. She thought he was joking. He wasn't.
And she had that clothesline in the side yard, left over from the
seventeenth century or something. She had a perfectly good clothes drier, but
she made Virgil tote the wet bed sheets and blankets out to the clothesline in
the summer, because, she said, they smelled like sunshine when they were dry.
Virgil had to admit she was right about that.
But carrots? You could get a perfectly good bag of peeled carrots at a
supermarket for what, a couple of bucks?
And that was more carrots than he'd eat in a month...
He cut highway 169 at St. Peter, headed north, rolled past the
farm fields and suburbs and then onto the Interstate highways, up I-35W toward
the glass towers of downtown Minneapolis, Dave Alvin and Jimmie Dale Gilmore on
the satellite radio singing "Downey to Lubbock." If he could play guitar like
Alvin, or the harp like Gilmore, he'd now be famous in Texas, Virgil thought.
Part of Texas, anyway. Okay, maybe only in Cut-and-Shoot, but somewhere in
Texas.
He parked outside the Minneapolis City Hall in one of the spots reserved
for cops, put a BCA card on the dashboard, sighed, and went inside.
The Minneapolis City Hall was not a pretty place, inside or
out, and was the most barren public building Virgil had ever been in. Narrow
empty hallways were punctured by closed doors that rarely seemed to open at all.
Hard benches that resembled church pews were spotted along the hallways, but
he'd never seen anyone sitting on one. Strange things were undoubtedly happening
behind all those doors, but he couldn't imagine what they might be.
Minneapolis homicide was part of a broader department that
included other violent crime units. Entry was through a tiny dark anteroom where
a young woman sat behind a window from which she could check visitors. She
looked at Virgil's ID, said, "Let me get somebody..."
The door to the interior popped open a minute later and a balding cop with
a coffee cup and a smile said, "C'mon... I'm gonna want to listen to
this."
Virgil said, "Aw, man..."
The office consisted of an L-shaped room with two long, narrow legs that
ran around the corner of an exterior wall of the building. Working cubicles were
backed up against the outer wall, each with two desks on opposite sides of the
cubicle. Large windows let light into the space.
The cubicles were not overly tidy; sport coats and jackets were hung from
the cubicle walls, and paper was everywhere. The cop led Virgil down the hall
past a half-dozen cubicles, most empty, others with cops looking at computers.
He stopped halfway down the left leg of the office, pointed at a cubicle two
down from where they were standing, and half-whispered, "She's in there," as if
she were a dragon.
Margaret Trane was a sturdy fortyish cop with twenty years on
the force. She had short brown hair, brown eyes, and was dressed in blue nylon
slacks with leg pockets, a white shirt and a blue jacket. Virgil peeked into her
cubicle where she was peering near-sightedly at a computer screen. She became
aware of his presence, turned, frowned, checked his cowboy boots and T-shirt and
asked, "Yes?"
"Okay. I'm Virgil Flowers... I was..."
"I know who you are, Flowers," she snapped, leaning back in her chair, not
bothering to hide her anger. "What do you want from me?"
"A little less hostility would help," Virgil said. "I don't want to be here
any more than you want me. If I can figure a way to get out of this job, I'll be
gone."
"You're pals with the governor."
"No. I don't like the governor. He's a weasel," Virgil said. "I once did
something that helped him get elected..."
"I know about the school board thing," Trane said. Her voice was still
cold, her eyes as frosty as her voice, and skeptical. "What do you want?"
Virgil shrugged. "Here I am. I thought if I could review what you've
already done..."
"Everything we've done so far has been useless, so there's not much point,"
she said.
Virgil took a breath. "Look. I can start all over, by myself,
get everybody confused about who's doing what, and you won't see me again. Be a
big waste of my time, probably irritate the hell out of a lot of people,
including you, but I can do it. Or, I could look at your reports and start from
there."
She opened her mouth to reply, but before she got a word out, a man who'd
walked up behind Virgil, said, "Margaret, could I speak to you for a
moment?"
Trane said, "I'm..."
"I know what you're doing, Margaret. Step in here." He nodded at an
interview room, across the hall. "Right now."
The man was tall, thin and balding, wore gold-rimmed glasses and rumpled
gray suit pants and a white shirt. He had an empty holster on one hip; a cop who
could have done advertisements for an accounting firm. He nodded at Virgil as
Trane got up and brushed by him into the interview room. He said, "We'll be just
a moment," and closed the door.
The cop who'd pointed out Trane had been eavesdropping from the
next cubicle. He stepped out with a grin and said, "That's Lieutenant Knox.
Nothing like getting off on the right foot, huh? Trane's now getting her ass
handed to her by the lieutenant, which will make her even happier than she
already was."
Virgil said, "I can understand why she's pissed. I would be too, in her
shoes."
"Yeah, but here you are, a cowboy with actual cowboy boots, likely with
horse manure in the insteps, and a band shirt, so you probably enjoy standing
around bullshitting with people on street corners. Maggie, on the other hand,
does not do bullshit. At all."
"What's wrong with my shirt?" Virgil was wearing a vintage Otis Taylor
"Trance Blues" T-shirt available only on selected internet blues sites.
"It's not that often that you see a cop wearing one, unless maybe he's
undercover," the cop said.
"I'm trying to elevate fashion standards among law enforcement personnel,"
Virgil said. "So... Trane. She smart?"
"Yeah, she's smart. Smart as she is, the StarTribune says she's baffled.
What pisses her off is, she actually is. Baffled. She's got no clue of
what happened over at the U. No suspects, no prints, no DNA, no murder weapon,
no time of death even. She doesn't even know for sure why the dead guy was where
he was, or how he got there."
The door to the interview room opened and Trane scooted out,
almost as if she'd been kicked in the ass. She scowled at Virgil as the
lieutenant disappeared down the hall, pointed at an empty desk and said, "That
desk belongs to a guy on vacation. You can use it until he gets back. He'll be
back in two weeks, but a highly qualified investigator like yourself probably
won't need more time than that. All the drawers are locked, but you can use the
computer. I'll open my files for you. Let me know when you're done and I'll
close them."
Virgil said, "I appreciate it. While you're doing that, if you could point
me to a men's room..."
"I'll show you," the other cop said. "I'll walk you across the street to
the cafeteria, give you the lay of the land." To Trane, he said, "We'll be a few
minutes. You should go lie down in the lady's room and put a cool damp hanky on
your forehead."
"Fuck you," Trane said, but not in the mean voice she'd used on Virgil. She
was already settling back in front of her computer.
Virgil had been to the Minneapolis cop shop a few times, but
the cop, whose name was Ansel Neumann, and who was a detective sergeant, gave
him the full two-dollar tour. They wound up in a cafeteria in the government
building across the street from City Hall. The two buildings were connected by
an underground tunnel, the government building tall and modern and now, after a
few decades of being modern, a little shabby; the City Hall was old and squat
and ugly, with dim empty hallways with ranks of closed doors and stone floors
that kicked echoes out from your feet when you walked through them.
They ordered some kind of pie, which was yellow and might have been
custard, or possibly banana, and Neumann briefed Virgil on the computer system,
and what he could expect in Trane's files, as well as a review of what the media
was doing.
"They've been all over Trane's ass a Channel Three crew ambushed her
out at her house during dinner and they spent some time yelling at each other.
She's got a problem."
"Why take it out on me? I understand not wanting an outsider, but..."
Neumann: "Because it suggests she can't handle the case?"
"I'm not doing that."
"No, but guess what happens when the governor's fair-haired boy shows up
here and the case gets solved? Who gets the credit? Who's the village idiot?
Trane figures she's going to wind up sitting in the corner with a pointy hat on
her head."
"Ahh... shit."
When Virgil and Neumann got back to the homicide office,
another cop had shown up and was eating a tuna salad sandwich at the desk over
the cubicle wall from Trane. Trane was again peering near-sightedly at her
computer screen. Virgil said, "Margaret?"
"What?"
He tipped his head toward the interview room: "Step in here for a minute.
We need to talk."
She launched herself from her chair, followed Virgil unto the room, closed
the door and crossed her arms. "What?"
Virgil held up his hands in a placating gesture: "I don't think you need my
help. I'm not here voluntarily. I'd be pissed if I were in your shoes and I told
Ansel that. I understand it. But we're stuck with it. If we figure this thing
out, I'll disappear. Nobody from the media will ever hear my name and if anybody
asks me, I'll tell them you ran the show. Because, honest-to-god, I don't need
this."
She unfolded her arms. "It's just... insulting, you know?"
"I know how you feel about it. You know Lucas Davenport, right? You must
have overlapped." Davenport had been a Minneapolis homicide cop before he went
on to the BCA, and then to the U.S. Marshals Service.
"Yeah, he's a friend," she said.
"He's a friend of mine, too. We're almost best friends, in an odd way,"
Virgil said. "Give him a call. See what he thinks."
She nodded, if still a bit grudgingly. "Okay. Let me open the files for
you. And I will give Lucas a ring."
Chapter Three
Virgil spent the afternoon reviewing Trane's work; the room was
cool and damp and smelled like paper and floor wax. He got up to walk and think,
a few times, wandering over to the government building. A few people stopped to
peer into the office, checking the guy with the blues T-shirt.
Trane asked, "How are you doing?" a couple of times, and he said, "Good.
You're a good reporter," and she was, and she went away, possibly mollified,
possibly to pee.
Her reports were chronological, rather than ordered by subject matter, so
Virgil made notes on a yellow legal pad, organized by subject.
There was one picture of the murder victim, Professor
Barthelemy Quill, when he was alive, an informal portrait in his laboratory that
looked like it might have been taken by a newspaper reporter it had a
newsy look.
Judging from a door behind Quill's shoulder, he was a tall man, over six
feet. He had neatly trimmed short hair, originally light brown or blond, now
shot through with gray, and a full head of it. Under the hair was a sober oval
face with thin blond eyebrows and sharp blue-gray eyes that said, "I went to a
private boy's school and then off to the Ivy League" a face you'd see on
a high-level federal prosecutor or Naval officer.
The file also included a couple of dozen digital prints of the body as it
was found, before it was moved and during the move, as well as closeups of the
entire carrel and the area around it.
The blood from the head wound appeared black against the fair hair both at
the wound and where it trickled down Quill's skull to create a stain on
stone-tiled floor under his chin. He was wearing gray slacks, a gray shirt and a
black sport coat. The ensemble gave him the aspect of a vampire, especially
since his lips were pulled back in a death grimace, revealing a long
eye-tooth.
Trane had interviewed more than fifty persons who'd known Quill, including
his estranged current wife, two ex-wives, two ex-lovers, all the lab employees,
colleagues at the university and the neighbors, and a group of academics with
whom he was feuding. She'd extracted from them narratives of their relationships
with the dead man, and accounts of their locations on Friday and Saturday.
The academic feud had taken quite a bit of Trane's time: there had been
some violence involved, and she'd done interviews with both Quill supporters and
Quill haters.
Trane had trouble determining the victim's exact time of death,
because Quill had been known for solitary walks around the campus. He'd left his
lab, alone, at one o'clock Friday afternoon and hadn't returned. He hadn't shown
up on Monday, either, which was unusual, but not unprecedented. His laboratory
director had tried to call him twice on Monday, but Quill's phone was apparently
turned off. That was not unusual he famously hated being
interrupted "by any idiot who can poke a number into a keypad."
Because Trane hadn't been able to determine an exact time of death
the medical examiner pegged it between Friday evening and noon Saturday
she'd been unable to eliminate alibis of the people closest to Quill, or those
who'd been involved with Quill in a vicious campus controversy concerning the
relationship of medicine and culture.
Quill had an office and lab in Moos Tower, a research center on
campus. He would spend mornings there, arriving around at eight o'clock after a
stop at a Starbucks where he picked up coffee and a slice of banana or pumpkin
bread, which he ate at his desk.
The next few hours were spent conferring with his senior lab assistants and
reviewing on-going work. In the afternoons, he often left the lab to walk and
think, sometimes returning to work into the evening on scientific papers. The
lab's work had been published in all the major medical journals concerned with
spinal injuries.
Trane noted that Quill's lab workers called him either "Barth" not
Bart or "Dr. Quill." He had a medical degree, but had never used it to
practice; he also had a PhD in bio-medicine and had done advanced work in
bio-robotics.
After leaving the lab on Friday, Quill had met with a professor of
micro-surgery and a professor of radiology at the university medical center.
That meeting lasted until about three o'clock.
He'd been sighted by two medical students at Coffman Memorial Union around
three o'clock, at the coffee bar; and may have been sighted by two neighbors,
walking near his home around five o'clock, but that was uncertain.
According to Trane's reports, Quill lived alone in a large redbrick house
on East River Parkway, within long walking distance of his lab. In good weather,
he often walked, and occasionally biked, to the university. If he'd actually
been spotted by the neighbors, that was the last time he was seen alive by any
witnesses Trane had been able to locate.
Quill's estranged wife lived in a condo, owned by Quill, east
of the University. At the time of his death, they were negotiating the terms of
a divorce. There was a severe pre-nuptial agreement. Interestingly, the
estranged wife would get little of Quill's money, and no alimony at all, if they
divorced while he was alive, but would inherit a substantial fortune if he
"pre-deceased" her.
Virgil said, "Huh," but noted that the wife had an iron-clad alibi
she was also an academic, and had been in Cleveland for a conference on the
structure of natural languages. That didn't mean she couldn't have had an
accomplice to do the killing.
The will actually a revocable trust precisely dictated what
would happen with Quill's estate when he died. Other than his estranged wife,
nobody would get more or less if Quill were killed yesterday or thirty years
later; but most would get it sooner if he were killed yesterday.
His daughter was an exception. Under the terms of the trust, she was to be
paid sixty thousand dollars a year until she was thirty, the money intended to
cover her education. After age thirty, she wouldn't get another nickel, ever.
Since she was already getting the payments from the trust, it made no difference
to her when or whether Quill died.
Trane had gone to Verizon, Quill's phone service provider and
had extracted a record of where the phone had been. The phone had been turned
off around six o'clock on Friday night, but Verizon's automated system had
continued to track it until midnight. Quill had been around his house and
neighborhood until about 9:30, when he'd left the area of the house and had
driven to an area known as Dinkytown. He left his car in a private parking lot
and never went back to it.
After leaving the car, he wandered around on foot, with no protracted
stops. Then the phone traced a walk across the campus and then across a
footbridge over the Mississippi.
A midnight, the phone had been turned back on, in the library but
then, ten minutes later, again outside the library, it had disappeared
altogether. At six o'clock the next morning, it popped up again, on the
footbridge between the east and west banks of the Mississippi. A Google search
had been made on Starbucks, perhaps to check opening times. The phone then was
carried to the library, which didn't open until eight, had been turned off again
at the library, was tracked for a few more minutes, and then disappeared again.
It hadn't yet reappeared on Verizon's records, or been found.
"You're telling me that he was killed Saturday morning, before the library
opened. He must've had a key to the outside doors, to get up to his carrel,"
Virgil said to Trane.
She turned from her computer. "He had a key, no question about that," Trane
said. "We don't know who gave it to him. Of course, it's possible that somebody
with a key let him in. I talked to an assistant at the library who said she saw
him once, very shortly after the library opened, coming out of his carrel. Not
to say that he couldn't have been waiting outside and got in the minute it
opened, but she had the impression that he might have slept in the library.
Doesn't know for sure. I originally thought he must've been killed after
six-fifteen, the last time we can locate his phone, but now...
She pressed a hand to the side of her face, thinking about it, and Vigil
asked, "What?"
"I keep reminding myself, I know where the phone was," Trane said.
"I'm not a hundred percent sure where Quill was that he was with the
phone. The phone wasn't with the body and neither were the computer or his keys.
We know he kept his house and office keys on his car key-fob. He was driving a
BMW that night -- the BMW that we found in the parking lot."
"If Verizon can track phones when they're turned off..."
"They can, if the battery isn't pulled..."
"... then what happened when it disappeared? He took the battery
out?"
"That would be one way, but there are a couple of others. You can buy cases
that shield phones from electromagnetic radiation. Maybe he had one."
"Or the killer did," Virgil said.
"Yup. Or the killer did. It's possible he was killed at midnight and the
subsequent tracks were the killer. It's also possible that Quill had a phone
shield. Met somebody at the library, dropped his phone in a shielded case so he
couldn't be tracked, spent the night somewhere maybe a woman? then
went back to the library the next morning and was killed then. None of his lab
associates ever saw a shielding case. If he was deliberately shielding his phone
at times, he might have kept it a secret. The Verizon records don't show any
previous instances of shielding, though."
"Then if the phone was shielded, it was mostly likely the killer who did
it," Virgil said.
"You could make that argument. If that's right, then Quill was mostly
likely killed at midnight. But then, the killer would have had to have had
Quill's phone code, because it popped up again the next morning."
"All this only applies if Quill's phone had an access code, or maybe a
fingerprint code..."
"He did have a code and he kept it secret," Trane said. "We know that from
his wives... and he hadn't changed phones since the second divorce."
"If he kept it secret from his wives, is it possible he was having
affairs?" Virgil asked. "Visiting hookers?"
"It's possible and I've asked that question," Trane said. "Nobody knows of
that kind of history. He apparently was sexually straight, his wives agreed that
he was always sexually active, and even a little rough, but he wasn't driven by
sex. He was driven by his research."
"Rough? How rough? Violent?" Virgil asked.
She shook her head. "Nothing like that. Muscle-y. He moved them around
enough that they sometimes had bruises but none of them said they didn't
like it."
"He was a strong guy, then?"
"Not a body-builder or a weight lifter, but three times a week at the gym,
doing a full circuit, working hard at it. He owned a Peloton bike, it's at his
house, and Peloton records show he worked out almost every day, for exactly half
an hour, but heavily. He was in good shape. No. He was in great
shape."
"Yet no signs that he resisted the killer?"
"The killer hit him from behind," Trane said. "He never saw it
coming."
The murder weapon was unknown. People who'd spoken to Quill at
his library carrel said Quill kept a large and powerful laptop computer there.
The computer was missing, but Trane had learned from credit card records that
Quill had spent more than twelve thousand dollars on a high-end laptop, a
Dreambook Power P87 the year before.
She'd found a similar laptop with an identical case and the medical
examiner had confirmed that a corner of the laptop could have done the damage to
Quill's skull but Trane didn't have the actual laptop, so that was also
uncertain.
Virgil asked Trane, "Is it possible that there was something on his
computer or phone that somebody was desperate to get?"
She shrugged. "Who knows? I've asked the question, but nobody can think of
what it might be. He was a research scientist, but not a loner. There are
extensive notes on everything done in the lab. This laptop... we know Quill
wasn't a gamer, he didn't play video games. This thing had fast processors and a
lot of storage, and would work well for virtual reality work. His top assistant
said you might use it to display and manipulate MRI images, but he didn't know
why Quill would try to hide that, why he'd be doing it in a study carrel. They
have plenty of computer power in the lab. Still... he had a huge amount of power
there. He must've been using it for something."
"Maybe he screwed something up, with a patient, and wanted to keep the
images where only he could see them."
"That had occurred to me, too. There is a lawsuit involving one of
his patients, a suicide, but I don't see anything there. Virgil, this is
something I've been struggling with, thinking he might have a secret life of
some kind but all of his work is very public. I mean, it's all done in
teams. When surgery is involved, he doesn't do it, a team of surgeons does it. I
cannot, for the life of me, find anything in his professional life that he'd
eant to hide."
"Okay."
"One other thing: that computer is a fairly rare thing. I've been watching
the local Craigslists and ebay and I've been Googling 'for sales', and the
computer hasn't shown up on any of that. It could be in the river."
Virgil finished taking notes at three o'clock. Trane had been
coming and going while he worked and when he kicked back from the computer, she
was coming in the door with a paper cup of coffee.
"Finished?"
"Not really. I need to think about it all. You get any... vibrations...
from anyone?"
"I got vibrations from a lot of people. Quill was highly respected but not
much liked," Trane said. "A couple of people hinted that he wasn't particularly
generous with credit for scientific papers. That's a big deal at job-hunting
time, for young scientists. His ex-wives didn't like him. I asked why, and they
said he was cold, mean, arrogant. Everything but violent. He had a child with
his first wife, a daughter, who also didn't like him much, although he supported
her and his first wife quite adequately for more than twenty years until his
death. His daughter goes to St. Thomas. She's pretty much a slacker... a C-to-B
student, though her mother says she's bright enough. She doesn't want to work,
that's all. Doesn't want to work, ever."
"Does she inherit anything? Outside that trust?"
"Nope. She gets a trust fund payout until she's thirty, enough to pay
college tuition thought a PhD, if that's what she wants, and to eat and live in
a decent apartment. Then it ends. She gets nothing more in the will. Of course,
if he'd lived, he could have changed that."
"How old is she now?" Virgil asked.
"Nineteen. I interviewed her. She wasn't too upset about him getting
killed," Trane said. "He wasn't present as a father only his money was. I
gotta say, my impression was that she's way too lazy to actually kill somebody,
and she's got a solid alibi for the whole time period when Quill was
killed."
"Quill seems to have been successful with women, on some level?
Girlfriends? Jealousy?
"Not finding it. Hasn't dated recently, as far as I've been able to
determine, but... maybe. I'm still looking. Nobody's come forward. His wife and
his exes say he was incredibly smart, which was why they were attracted... and
of course, he had family money. Quite a bit of it. Money's often attractive in a
man."
"I wouldn't know. I've had to rely on my good looks and personal charm,"
Virgil said.
She gave him a mild stink-eye, unsure whether he was joking or not and
Virgil said, "You've got to get used to my sense of humor."
She said, "I talked to Lucas. He said you weren't a terrible guy, most of
the time. Nothing like Hitler, anyway. I was supposed to remind you to keep your
hands off his daughter."
"That's a Davenport joke," Virgil said.
"I got the impression that it was a ninety-percent joke and a ten percent
death threat," Trane said.
"Yeah, that's about right," Virgil said. "So. In five hundred words or
less, tell me what you've figured out."
"Won't take five hundred words. He was killed in the carrel. He must've had
some trust in the killer, because he turned his back on him, in a close space
the killer almost had to be inside the carrel with him. If it was a
'him.' It might not have been, because the carrel would be crowded for two
males. If the killer is a 'her,' she's strong. I've tried lifting a similar
laptop over my head, quickly, and then swinging it down hard enough to kill. I
can do it, but I'm strong. Twelve pounds, overhead, accelerating, chopping down
and doing it fast enough that Quill didn't see it coming... it's harder than
you'd think."
"Okay."
"The autopsy gave me nothing more than the cause of death. He had no
alcohol or any trace of drugs in his body. Nothing under his fingernails or on
his clothes, and no reason there should be, he obviously didn't resist. No
DNA."
"Okay." Virgil scrolled down the computer screen, tapped the
screen: "You've got all these NCIC files on a guy named Boyd Nash. What's that
about?"
"Nash is a... I guess a scientist would say he's a dirtbag. I don't
understand zall the details, but he's some kind of scientific predator and he
had some contact with Quill."
"Predator?"
"Yeah. He looks for new research that he can get some details on, then he
goes to this law firm that cooperates with him... Conspires with him, I'd say.
Anyway give me some rope here, because I don't entirely understand it
they find a low-level graduate student or technician who knows something
about the field that the research comes from, and they write up a description of
the work and then they file for a patent. When the original company or
laboratory tries to use their own research, the law firm files for a patent
violation. It's complicated and technical enough that the courts don't usually
understand what's going on. Sometimes Nash wins, and sometimes he loses, but if
he wins, he can get a substantial settlement, because fighting the court
judgment can cost more than the settlement. The law firm gets a third, of
course, but Nash can still get out with tens of thousands of dollars."
"In other words, he steals research, pretends it's his, or belongs to
somebody he's working with, and uses a court decision to extort a settlement
from the good guys."
"That's about it," Trane said.
"You eliminated Nash as a suspect?"
"Not completely, but there seemed to better leads," Trane said. "The night
that Quill disappeared, Nash was in Rochester. He checked into the DoubleTree
Hotel for a convention... it's in the notes, something like the American
Institute for Medical Technology. I talked to him, he gave me names of people he
spoke to there, both that night and on Saturday and Sunday when the convention
ended. I called those people and it all checked out. He had American Express
receipts for the hotel for both nights, Friday and Saturday."
"It's only about an hour and a half each way. He could have been down there
until ten o'clock..."
"I know. I worked through all that," Trane said. "It seems unlikely
it's the kind of convention he'd go to, for the contacts he needs, and why would
he think he'd need an elaborate alibi? He couldn't have known Quill would be at
the library at midnight. And how would he have gotten in the library? Lot of
moving parts, there."
"All right. Now tell me about this big feud that Quill was involved
in."
"Oh my God," Trane said. "You ever get in one of those situation where
somebody's yelling at you and you feel like your sinuses are getting jammed up
by the sheer bullshit?"
"All the time. That's my life story," Virgil said. "What's going
on?"
A woman named Katherine Green, Trane said, a newly tenured
professor in the University's Department of Cultural Science, had written a
well-received book entitled "Cultural Medicine," which argued that medicine
which worked well in the West might not work so well in other cultures, or in
what she called "micro-cultures."
In a particularly controversial passage, she'd suggested that families in
Marin County, California, and Clark County, Washington, had developed their own
micro-cultures that rejected the Western imperative on childhood vaccination.
The Marin and Clark County micro-cultures' emphasis on a naturally robust
lifestyle would likely prove as effective as vaccination, Green said and
possibly more effective.
"That started people screaming," Trane said. "Because it seemed to offer
support for the anti-vaccination movement, which mostly consists of uncertified
crazies."
The book made it on the New York Times' bestseller list and Green, after
making a three-week tour in support of sales, returned to home ground at the
university, where she was invited to give a lecture at the Coffman
Theater.
"I've seen a video," Trane said. "About halfway through, several people
started booing. That started a bunch of arguments and people in the audience
started pushing each other around. There were a couple of campus cops there and
they got everybody back in their seats, and Green managed to finish the
lecture.
"Then Quill got up and said her book was ignorant, unscholarly, uninformed
and a bunch of other stuff. Green has a reputation herself she likes to
fight. It seems like she lives for controversy. She called him rude, culturally
illiterate, a racist and a few other things, and he called her a silly twat.
Yelled it, actually," Trane said. "That set things off again, and they had to
call more cops, because it got out of hand a small riot. A graduate
student got hauled away to jail and was charged with assault because he hit
another guy with a chair."
"Did it break, like they do on TV?" Virgil asked.
"No," Trane said, a trifle impatiently. "Anyway, Green tried to get Quill
fired for sexism, filed against him with the Title IX committee the twat
word. Quill insisted that he'd called her a silly twit, not twat. He was lying,
because he did call her a twat. It was plain as day on the video, but there was
no way the U was going to fire or even censure Quill. He was way too
important."
A week or so after Green's lecture, Quill and three professors from the
medical school held an open seminar at the Mayo Auditorium to discuss the
wrong-headedness of Green's book and to question the very existence of
Department of Cultural Science, which, according to flyers posted in the medical
school advocated "Witchcraft vs. Medicine."
"Well, you can guess what happened Green showed up with staff and
students from Cultural Science and they had another riot on their hands," Trane
said. "It's been pretty much open warfare since then. Quill proposed eliminating
the Cultural Science department entirely it's hard to get rid of tenured
professors, but if their department is abolished... well, they don't have
jobs."
"Then everybody in Cultural Science is a suspect."
"Yeah," Trane said. "That would be eighteen faculty and graduate assistants
and support staff, and a large but unknown number of students."
"Sounds like you've come down on Quill's side of this thing," Virgil
ventured. "You know, intellectually."
"Of course I have," Trane said. "I wouldn't say it on television, but the
Green people, the Cultural Science people, are a bunch of Froot Loops."
Virgil leaned back in his chair, put his boots up on the desk and said, "I
don't know. I feel the great karmic twang might favor Green-ites. I'll start
there, find this Katherine Green."
Trane rubbed her face with both hands: "Karmic twang. Oh my God, he said
karmic twang. You could probably go undercover with Cultural Science.
They'd love that T-shirt."
From the other side of the cubicle wall, the cop who'd now
finished his tuna fish sandwich said, "I thought he said karmic wang."
Trane said, "Shut up," and back to Virgil, "I'll get you a phone
number."
"I'd like to go through Quill's house this evening, if it's not sealed up,"
Virgil said.
"I've got the key, I can meet you there after dinner... like seven
o'clock?"
"That's good."
Tuna Fish said, "You oughta tell karmic wang that Green is quite the
hottie."
Trane again said, "Shut up," and to Virgil, "I guess she is, but that's
irrelevant."
Tuna Fish said, "No, it's not. The hottest sex is always between two people
who don't like each other. That's why feminists date drug dealers or drummers at
some point in their lives. In your situation, you got the handsome, brilliant,
rich and probably horny divorcing professor on one side, and the best-selling
academic unmarried hottie on the other. You even look at her boobies?
Think there might be sparks?"
"Thank you, Dr. Freud."
"You're welcome. It's better than anything you've come up with," Tuna Fish
said.
Virgil: "Give me the number for Green."
Trane gave him the number and asked, "How are we going to do
this? You and me?"
"How about if I work it as kind of like... an assistant, or an intern,"
Virgil suggested. "On my own, because there's no point in both of us standing
around looking at the same guy. You do your thing and I do mine and we meet
every morning and night until we get the killer."
"I'm happy to you're so... sanguine... about getting him. We had a
fifty-percent clearance rate on murders last year. If we don't do better, Knox's
going to be the new lieutenant guarding the landfill. I'll be the sergeant in
charge of the sloppy wet diaper service dump."
"Aw, we'll get him," Virgil said. "If we don't, I've got an extra pair of
barn boots I can give you. You know, for the diapers."