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|The Prey Series|
John Sandford's introduction of Minnesota Bureau of Criminal Apprehension investigator Virgil Flowers was an immediate critical and popular success: "laser-sharp characters and a plot that's fast and surprising" (Cleveland Plain Dealer); "an idiosyncratic, thoroughly ingratiating hero" (Booklist). Flowers is only in his late thirties, but he's been around the block a few times, and he doesn't think much can surprise him anymore. He's wrong.
It's a hot, humid summer night in Minnesota, and Flowers is in bed with one of his ex-wives (the second one, if you're keeping count), when the phone rings. It's Lucas Davenport. There's a body in Stillwater two shots to the head, found near a veteran's memorial. And the victim has a lemon in his mouth.
Exactly like the body they found last week.
The more Flowers works the murders, the more convinced he is that someone's keeping a list, and that the list could have a lot more names on it. If he could only find out what connects them all . . . and then he does, and he's almost sorry he did.
Because if it's true, then this whole thing leads down a lot more trails than he thought and every one of them is booby-trapped.
Filled with the audacious plotting, rich characters, and brilliant suspense that have always made his books "compulsively readable" (Los Angeles Times), this is vintage Sandford.
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10 February 2017
The Prey series, the Virgil Flowers series, the Kidd series, The Singular Menace, The Night Crew, Dead Watch, The Eye and the Heart: The Watercolors of John Stuart Ingle, and Plastic Surgery: The Kindest Cut are copyrighted by John Sandford. All excerpts are used with permission.
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