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![]() Author Info Articles (Index) Interviews (Index) Publishers Weekly | Interviews Publishers Weekly April 14, 2003 This interview is Copyright © 2003 by Publishers
Weekly, and is reprinted with permission. The interviewer was Adam
Dunn. PW Naked Prey has Lucas
Davenport squarely embedded in married life, in stark contrast to his
womanizing in previous novels. Moreover, your introduction of Letty West
solidified Davenport's paternal image. Can you describe the turnabout in
Davenport's image? John Sandford You want an element of romance in the book. You want the first
meeting of male and female at the first part of a relationship. I think people
are very interested in how that happens. The problem is, if you write 15
Davenport books, and there's a new woman and a new relationship in each one, he
begins to look less like a womanizer and more like a predator. So I began to
worry about that... I will not vouch for Weather's [Davenport's wife] security
in the series, but I wanted to show that he is capable of a loving
relationship, rather than just nailing as many women as he can, which was his
attitude at the beginning. PW As descriptions of your various villains unfold throughout the
Prey series, the psychological term "shallowness of affect" comes to
mind. How do you construct your bad guys in general and how did you arrive at
Naked Prey's in particular? John Sandford I have known a lot of bad guys, both as a newspaper reporter
and also because I did a lot of research in prisons just before I left the
newspaper business. I spent a month in prison interviewing guys who were mostly
murderers. I wanted to know what was going on inside their heads. How do you
bring yourself to kill someone, especially someone like your girlfriend? You
find a whole range of reasons why they kill. Some of them are absolutely
brutal, yet I talked to one guy who couldn't remember doing it at all, and I
believed him, because he was so messed up on drugs that he didn't remember that
he had killed [her] and hidden the body in his truck, and they only found it
when he went to clean out the toolbox with a friend. I covered a guy who was
completely crazy, just couldn't stop himself from killing people. In this particular book, the reason people [villains] are they
way they are is, among the killers I have known, some of them are just mundane.
They have some kind of violence in their lives, but they're really just like
everyday people. They work at the post office or a drugstore or drive a truck
someplace, and they wind up murdering somebody and then you realize there's
this strangeness about them, but that difference is covered up by the fact that
they do stuff that you see every day. People who can cold-bloodedly murder
somebody are among us. PW Davenport seems to have enjoyed a rising popularity in the
U.K. Has this continued between Mortal Prey
and Naked Prey? John Sandford I have not sold as well in England as I would have hoped.
England is one of my favorite places in the world. If I were to pick out a city
to live in besides Minneapolis, it might well be London. But there's a cultural
difference in the way the Brits look at their police forces and the way we look
at ours. I think the Brits like to trust their cops, and Davenport has always
been sort of a rogue cop that you really wouldn't trust. Also, with British
police, there seems to be an ethic were the cops are working-class or
lower-middle-class people, and they live kind of bleak lives in little
apartments and so forth, though I don't know why that is. Davenport is, of
course, rich, and maybe the combination just didn't click. Now, the last book
sold pretty well, and maybe I'm starting to get some attention. I've had some
really nice reviews from British newspapers, so maybe it'll catch on. I've
always been puzzled about it, and I worry about it. PW Will you be focusing on Prey books, or are you
continuing the Kidd series [The Empress
File, etc.] as well? John Sandford I'm running around like a madman because we're just finishing
a Kidd book. I don't know if it's good enough to publish, but we're
just trying to finish one now. I like to do sort of a postanalysis of these
things. I've written books in the middle of the Davenport series, which we
didn't publish because they just weren't good enough. So I'm gonna take another
look at this Kidd book. But it seems to be coming together pretty
well. I've got two more Davenport books to go on this contract. |
13 May 2008 The Prey series, the Virgil Flowers series,
the Kidd series, The Night Crew, Dead Watch, The Eye
and the Heart: The Watercolors of John Stuart Ingle, and Plastic
Surgery: The Kindest Cut are copyrighted by John Sandford. All excerpts are
used with permission. All original content on the website (excluding the message
board and some other specifically disclaimed text) is copyright © 2008 by
Roswell Anthony Camp. Please do not steal anything from these pages. If you
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